Family Easter – Not all Work

I don’t work ALL the time. Like most professional photographers, when I have family over I prefer to put down the camera, because normally camera = work. But sometimes I will grab a simple kit and unobtrusively try to capture family time together without a lot of gear – no lighting, no big cameras, usually just one camera and a prime lens.

I shot these of our family during Easter 2014, mostly with my Nikon Df and a 50mm lens. Simple, easy. I did pop on my 180 mm F2.8 lens for a few shots, but it is still a pretty simple and light weight setup. I am not a fan of the typical 70-200 2.8 zoom lens that many photographers carry. I have owned a couple and they are a workhorse lens, but for me, the 180 2.8 prime works much better. It is smaller, lighter, less expensive, and I think provides a better image than a complex zoom lens. I also have a fisheye that I use rarely, but sometimes it is fun to pull it out, and as a skit on Saturday Night Live says, “everything looks better with a FISHEYE lens!”

I love shooting with a simple 50 mm lens. Small, light weight, and awesome quality. Not to mention inexpensive.
I love shooting with a simple 50 mm lens. Small, light weight, and awesome quality. Not to mention inexpensive.
A 50 mm lens should be in every photographer's kit. Great pictures are to be had everywhere with a "fitty".
A 50 mm lens should be in every photographer’s kit. Great pictures are to be had everywhere with a “fitty”.
If I was teaching a new photog how to shoot, I would have them get a full frame digital camera and a fifty. That is a very affordable setup and there is a LOT you can do with that simple kit.
If I was teaching a new photog how to shoot, I would have them get a full frame digital camera and a fifty. That is a very affordable setup and there is a LOT you can do with that simple kit.
Fifties are great for portraits, environment shots, and even landscapes. I often carry just my Nikon Df and a "fitty".
Fifties are great for portraits, environment shots, and even landscapes. I often carry just my Nikon Df and a “fitty”.
Sometimes I need to reach out a bit more, or compress perspective more than I can with a 50. I no longer carry the ubiquitous 70-200 F2.8, a staple for many photogs. I use my 180 2.8 prime instead.
Sometimes I need to reach out a bit more, or compress perspective more than I can with a 50. I no longer carry the ubiquitous 70-200 F2.8, a staple for many photogs. I use my 180 2.8 prime instead.
The Nikon 180 F2.8 prime lens is an excellent piece of glass - small, light weight, portable, and very affordable. Rather than spend money on an expensive 70-200, buy a 180 and spend the extra money on lighting gear.
The Nikon 180 F2.8 prime lens is an excellent piece of glass – small, light weight, portable, and very affordable. Rather than spend money on an expensive 70-200, buy a 180 and spend the extra money on lighting gear.
The 180 F2.8 allows me to isolate my subject just like the 70-200 but at less than half the cost and more importantly, half the weight and size.
The 180 F2.8 allows me to isolate my subject just like the 70-200 but at less than half the cost and more importantly, half the weight and size.
I don't shoot a fisheye much, but every now and then the are fun to get a new perspective. A fisheye should be your LAST purchase - after lighting gear.
I don’t shoot a fisheye much, but every now and then the are fun to get a new perspective. A fisheye should be your LAST purchase – after lighting gear.

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