We moved the Harley Davidson to a cleaner background in front of the garage door, and turned the studio strobes on nearly full power and shot at F22, hoping to darken the background. But the white floor just reflected the light throughout the studio anyway and the image turned out a bit underexposed. Oh well, that is why we practice. Again I took this with my Toyo VX-125 4×5 view camera and a Nikkor-W 210mm F5.6 lens on Ilford Delta Pro 100 film and developed in Kodak D76.
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